A Nostalgic Glance Back to the The Expedition Show
Circa 2010 -2013

The Expedition Show

THE EXPEDITION SHOW
Mountain Fever Records
MFR110214

October 2nd, 2011

Not only are the members of the Expedition Show veterans individually, the ensemble is nearing its tenth birthday under one name or another. On The Expedition Show, its first release since 2008’s Brand New Set Of Blues, the quartet demonstrates solid professionalism, considerable skills, and smart arrangements. The Expedition Show often exploits a certain tension between classic and contemporary bluegrass to wonderful effect. Similarly, they prove a hundred percent as comfortable with the progressive drive of Northern Light’s “Northern Rail” as the traditional gospel of “When The Roll Is Called Up Yonder.”

During the early years of this century, the quartet released four CDs in as many years, hosted the first three years of the Franklin, Ky., music festival, toured Japan, and developed a schedule with a hundred dates per year. Best known to bluegrass folks for his long tenures on banjo with Lester Flatt and Bill Monroe, Blake Williams, aka the “Sparta Flash,” has also played bass for Mike Snider, Patty Loveless, and others. Guitarist and singer Wayne Southards made his mark with Memphis’s Tennessee Gentlemen before settling in Music City in 1990. Kimberly Williams plays bass and handles much of lead vocals with confidence. Alex Hibbits handles mandolin as well as tenor, bass, and baritone vocals, plus recording and mixing the album. The ETSU graduate, who joined in the fall of 2009, is also a veteran of Alecia Nugent, the Midnight Ramblers, and several others. Tim Crouch, a fine Kenny Baker-inspired fiddler from Arkansas who has appeared on most of the Expedition Show’s albums, again guests on this one, as he has with everyone from Dolly Parton to Cedar Hill. Crouch’s style perfectly fits the band’s exploration of the classic and the contemporary.

Blake contributes five songs and tunes, written solo. Wayne wrote “My Love For You Is True” and co-wrote the opening cut, “Backroads And Little Towns,” with Blake. Otherwise, the Expedition Show picks from such varied sources as the Louvin Brothers, Northern Lights, the Carter Family, and Jason Wilbur from John Prine’s band. The Expedition Show is built to thrive on this kind of diversity because the band is happy to sound like itself rather than following trends. Wayne and Kimberly give the two excellent and quite different lead singers that empower the Expedition Show’s facility for both old buegrass and modern bluegrass. That facet is even reflected in the cover photo and in the lyrics of the first track.

The band closes with one of Blake’s comedy compilations. This features some killer material, but the sound quality is below that of the music tracks. That diminishes the close of a quite good album with strong singing, playing, and songs. (Mountain Fever Records, 1177 Alum Ridge Rd, Willis, VA 24380, www.mountainfever.com.) 

Backroads And Little Towns

Posted on February 7, 2011 By John Lawless | https://bluegrasstoday.com/

The first single from The Expedition Show, the self-titled debut album from…  you guessed it… The Expedition Show, has been sent to radio. The full CD is set for a February 28 release on Mountain Fever Records.

The group features Blake Williams on banjo, Wayne Southards on guitar, Alex Hibbitts on mandolin and Kimberly Williams on bass. Blake, Kimberly and Wayne worked together with Bobby Clark as Williams & Clark Expedition from 2002 until Bobby left in 2009, at which time they reconstituted as The Expedition Show.

Blake has a long history in bluegrass, having worked for both Bill Monroe and Lester Flatt in his youth. He explained a bit about what he learned from the masters, and how he incorporates those lessons into the new group.

“When we started this band, we wanted to be different from anyone else out there. With Wayne and Kimberly both singing lead and harmony, we immediately offer a variety for the listeners and we also write a lot of our own songs. And another thing we wanted to do was to put on an entertaining show.  When I worked with Lester Flatt back in the 70’s, he made a point to call his performances a ‘show.’ Every time he stepped on stage, he set out to entertain and not just perform but give that audience a ‘show,’ and I learned very early on that if you can entertain a crowd, not just play to them, then you’ve done what you’re supposed to do when you’re on stage.

I’ve always thought if people were laughing, they’re forgetting their troubles. If you aren’t smiling or laughing throughout our show, then we’re not doing our job as entertainers.”

Mark Hodges at Mountain Fever is happy to have The Expedition Show come aboard, and described the difficulty he faced in choosing a track to push forward in advance of the release.

“We had a real dilemma when choosing the first single for this record. The whole project is really great and offers so much variety with traditional and contemporary styles, original songs and standards, up-tempos and ballads, even a gospel quartet number.  But we finally selected Backroads And Little Townsbecause it truly represents what The Expedition Show is all about, down-home personalities, great picking and singing and wonderful, original writing.”

Mountain Fever Records Releases New Music From
The Expedition Show
"Stormy Horizons" Hits Radio Today!

Willis, VA (February 19, 2013)—Mountain Fever Records is proud to announce the release of new music from The Expedition Show. "Stormy Horizons", the first single from the band's soon-to-be-released CD of the same title, hits radio today.

 Consisting of Blake Williams on banjo and vocals; Wayne Southards on guitar and vocals; Kimberly Williams on bass and vocals; and Alex Hibbitts on mandolin and vocals; The Expedition Show has been a fan and festival favorite since their beginning in early 2002 as Williams & Clark Expedition.  During the band's nearly 12 year tenure, the entertaining group has been nominated twice by the International Bluegrass Music Association (IBMA) for Emerging Artist of the Year (2005 and 2007), Wayne Southards has won the International Acoustic Music Association's Male Vocalist of the Year award (2009) and Blake Williams has been nominated three times for Entertainer of the Year by the Society for the Preservation of Bluegrass Music of America (2007-2009).  The band has performed all over the world including a tour with country music artist Darryl Worley to Japan as well as an extensive headlining tour in Canada.  In addition, the band was invited to perform for the historic Ryman Auditorium's "Bluegrass Nights at The Ryman" concert series.  In between all the touring, the quartet also released six projects before signing with Mountain Fever Records in 2011. 

Their first CD released on Mountain Fever Records, The Expedition Show (Feb. '11), stayed on SiriusXM Bluegrass Junction's Most Played Albums chart for 13 months (May '11-Mar. '12)  reaching the #1 spot in October 2011. It also reached #3 on the Roots Music Report Top 50 CDs (Sept. '11) and #7 on BMP's Top 10 CDs (April '11). The project produced three chart-topping songs; "I Can't Keep You In Love With Me" which reached #1 on SiriusXM Bluegrass Junction's Most Played Songs chart (Oct. '11); "Backroads And Little Towns" which remained in the top 10 on the same chart for five months (Dec. '11 - May '12); and "Storms Of Life" which stayed in the Top 10 on the Powergrass Radio Bluegrass Gospel chart for three months reaching #4 in May '11.

 "'Stormy Horizons' was brought to the band by Wayne [Southards]," explains Expedition band member Blake Williams. "The song was written by Ira Louvin and Iris Franks and recorded by Jim & Jesse & The Virginia Boys many years ago, and is so beautifully written with some of the most captivating lyrics I've ever heard. We made a few changes to Jim & Jesse's version to make it fit our style a little more such as using 4/4 bass on the choruses and instrumental breaks as opposed to walking bass throughout the whole song. Wayne and Kimberly duet on the versus and Alex adds baritone to the choruses. And of course, we brought in Tim Crouch, who has played on all our records, to do some triple fiddles. The response from fans and DJs to our duets has been a strong point for us in the past and we're really happy with the way this song turned out."

 "The Expedition Show proves that the best is yet to come for them and for us," states Mark Hodges of Mountain Fever Records. "The duets Wayne and Kimberly have done in the past were really good but they hit it out of the park with 'Stormy Horizons'. After the success of their last record, I've been chompin' at the bit for more and this entire album really delivers." "Stormy Horizons"

The title track of the upcoming Expedition Show album, Stormy Horizons, is released today to bluegrass radio. It’s their revised arrangement of a Jim & Jesse classic from 1960, with a decided Louvin Brothers vibe.

The 12-track project will include new songs from band members Blake Williams, Wayne Southards, and Alex Hibbitts, along with a number of bluegrass classics.

Williams, a former Blue Grass Boy, is on banjo, along with his charming and talented wife, Kimberly, on bass, Southards on guitar, and Hibbitts on mandolin.

Blake shared a few comments about the single.

“Wayne suggested we record Stormy Horizons for this CD, which was written by Ira Louvin and Iris Franks and recorded by Jim & Jesse & The Virginia Boys many years ago. The song itself is so beautifully written, with some of the most captivating lyrics I’ve ever heard.

We made a few changes to Jim & Jesse’s version to make it fit our style a little more, such as using 4/4 bass on the choruses and instrumental breaks as opposed to walking bass throughout the whole song. Wayne and Kimberly duet on the versus and Alex adds baritone to the choruses.

And of course, we brought in Tim Crouch, who has played on all our records, to do some triple fiddles.

The response from fans and DJs to our duets has been a strong point for us in the past, and we’re really happy with the way this song turned out.”

Review: The Expedition Show – Stormy Horizons

FEBRUARY 14, 2014 BY STEVE SCHREIBER | https://hvbluegrass.org/

New expeditions of discovery and exploration are frequently marred by bad weather, uncertainty, disease and a breakdown of the human condition. Not so with the latest exciting release from The Expedition Show! May of 2013 brought the listening community Stormy Horizons and the only fever in evidence is a welcome one in the form of Mountain Fever Records, the recording studio and label for the release. With nothing to prove and everything to share, Blake Williams on banjo, Kimberly Williams on vocals and bass, Wayne Southards on vocals and guitar and Alex Hibbitts on vocals and mandolin, supported by Tim Crouch on fiddle and Phil Leadbetter on dobro bring us 12 exquisitely performed and recorded tracks solidly rooted in Bluegrass with a touch of swing, occasional gospel and the Blues.

Stormy Horizons experienced strong popularity and airplay on the SiriusXM radio network shortly after it’s release last May. Eight original tracks and four well-chosen standards make up the program. Blake Williams’ expert banjo work is in clear evidence throughout and with 30-plus years as a professional performing bluegrass musician, (10 of which were with Bill Monroe), it’s no surprise that he contributed six of the CD’s original tracks. Stormy Horizons is recorded and mastered in standout fidelity. Each instrument can be heard in pristine, warm clarity, with the overall mix bright, three dimensional and balanced throughout. Even in the car with excess background noise from driving, sparkling highs and rounded, woody bass jump from the speakers. The vocals are easy to hear, understand and sing along with. A well programmed selection of tracks delivers a really entertaining set, with each tune standing on its own and surprising us with something unique, joyful or compelling.

Stormy Horizons opens with “Cheating Game of the Blues” which is an original penned by Mandolinist Alex Hibbitts. Right from the start we are launched into a great Bluegrass listening experience with unique fiddle fills, interesting instrumental breaks and vocal stories with tales to tell. Blake’s first of six originals, “Rambler Like Me.” occupies the Track #2 slot. Kim’s lead vocal contemplates life on the road, backed up by strong harmony in a tasteful arrangement featuring nice interplay between cross-picked guitar and fiddle. We are treated to some shining breaks from banjo, guitar, fiddle, and mandolin. Track #3 brings us a gospel themed tune in ¾ time. “Paradise City of God” is a solid take with vocals-forward singing and a sparking mandolin solo. Next, we cinch up our seatbelts and pull our hats down a bit for “Dryland Farmer” as the band takes us on an instrumental excursion through a minor key atmosphere of snaky, winding solos. Tim Crouch’s fiddle work is excellent on this tune. He provides a great supporting back drop to the other instrumental breaks, and his own solo contains a flurry of notes that can only be a dust storm or even tornado! With the storm over, another Blake Williams original called “World’s Greatest Picture” treats us to an intimate, perfectly recorded ballad with Kim singing solo backed only by guitar, (played by Blake.) Track #6 gets things active again with the bluegrass standard “Gotta Travel On,” reminding us what we love about this music – stories of life set to a crisp, driving rhythm section and hot instrumental breaks. Up next, the title track of the CD “Stormy Horizons” is a Jim and Jesse tune (written with Ira Louvin) that experienced immediate popular airplay when it was released as a single in February of last year. It’s easy to hear the words, and as is evident throughout the release, the harmonizing vocals fit like a glove. Blake Williams appropriately takes the lead on banjo for Track #8 with Earl Scruggs’ “Foggy Mountain Special.” The Expedition Show band swings this 12 Bar Blues number with a really killer mandolin solo and a break from Phil Leadbetter on dobro. Like all the tunes in the program, it’s well placed in the set creating an element of surprise and fun. Is it jazz or is it bluegrass? YES!

Getting a bit more serious Track #9 “Take the High Road” is the second faith-themed tune on the release with nice guitar accompaniment from Wayne. “Low Down Cryin’ Shame” in the Track #10 spot is unique – a haunting, brooding tune in ¾ time lamenting the woes of cheating and lying in a failed relationship, with lost love and false hope holding the singer’s heart prisoner. Phil Leadbetter’s dobro, and Alex Hibbitts’ hard-driving mandolin double stops provide short but fitting bluesy commentary to the sad story. Track #11 written by Wayne, “He’s the One For Me,” says “Don’t worry! It’s not all bad!” and takes us on a funny, partying, happy romp to a wedding day. It is definitely the polar opposite of Track #10 in both song theme and music. The band swings us to a satisfying end of Stormy Horizons with the Hank Williams tune “The Blues Come Around” in which we hear some call and response in the arrangement and solid walking bass from Kim.

A masterful release both in performance and audio fidelity, Stormy Horizons is enjoyable, accessible to many and a great example of not just bluegrass but acoustic music in general.

More Background On TheExpeditionShow.com

TheExpeditionShow.com stands as a preserved digital artifact of a vibrant era in contemporary bluegrass music. Originally serving as the official website for The Expedition Show—a professional bluegrass band active primarily from the early 2000s through the mid-2010s—the site now functions as an archival portal that reflects the group’s musical journey, achievements, and cultural footprint.

Rather than existing as a modern, continuously updated promotional platform, the website offers a nostalgic window into a period when independent bands relied heavily on dedicated websites to connect with fans, promote albums, and announce tours. Today, it provides valuable insight into the band’s identity, the evolution of bluegrass music during that era, and the broader ecosystem of grassroots music promotion.

The Band Behind the Website

At the core of TheExpeditionShow.com is the story of The Expedition Show itself—a group of seasoned musicians whose combined experience spans decades of professional performance in the bluegrass and country music scenes.

The band’s lineup included:

• Blake Williams (banjo, vocals)
• Wayne Southards (guitar, vocals)
• Kimberly Williams (bass, vocals)
• Alex Hibbitts (mandolin, vocals)

Each member brought a unique background and level of expertise that contributed to the group’s distinctive sound. Blake Williams, in particular, stands out as a veteran of bluegrass royalty, having performed with legendary figures such as Bill Monroe and Lester Flatt. His extensive career—including performances at major venues like Carnegie Hall and the Grand Ole Opry—lent significant credibility and prestige to the band.

Wayne Southards added vocal strength and songwriting depth, while Kimberly Williams contributed both musically and professionally through her experience in event production and artist promotion. Alex Hibbitts, the youngest member, infused the group with technical precision and contemporary energy, reflecting the next generation of bluegrass musicianship.

Musical Style and Artistic Identity

One of the defining characteristics of The Expedition Show was its ability to seamlessly blend traditional bluegrass elements with modern influences. This duality is evident throughout the content of TheExpeditionShow.com, which emphasizes both reverence for the genre’s roots and a willingness to innovate.

The band’s sound featured:

• Tight vocal harmonies reminiscent of classic Appalachian bluegrass
• High-energy instrumental performances (“white-hot picking”)
• A mix of original compositions and reinterpretations of traditional songs
• Elements of gospel, blues, and contemporary acoustic music

This hybrid approach allowed the band to appeal to both purists and newer audiences. Their performances were not merely concerts but fully realized entertainment experiences, incorporating humor, storytelling, and audience interaction.

Discography and Notable Releases

The website highlights several key releases, most notably the album Stormy Horizons. This project exemplifies the band’s musical philosophy, combining original songs with carefully selected covers from influential artists such as Hank Williams Sr., Earl Scruggs, and the Louvin Brothers.

Released through Mountain Fever Records, Stormy Horizons received significant attention within the bluegrass community. It achieved notable radio play on SiriusXM’s Bluegrass Junction and charted on multiple industry rankings, reflecting both commercial success and critical acclaim.

The album’s production quality, musical diversity, and strong vocal performances were frequently praised in reviews. Tracks ranged from upbeat, driving bluegrass numbers to introspective ballads and gospel-inspired pieces, showcasing the band’s versatility.

Earlier releases also contributed to the band’s reputation, with multiple albums produced during their time as Williams & Clark Expedition and later as The Expedition Show. Their consistent output demonstrated both productivity and artistic evolution.

Awards, Recognition, and Industry Standing

The Expedition Show earned numerous accolades and nominations throughout its career, many of which are highlighted on the website. These include:

• Nominations for Emerging Artist of the Year by the International Bluegrass Music Association
• Wayne Southards’ recognition as Male Vocalist of the Year by the International Acoustic Music Association
• Multiple nominations for Entertainer of the Year from the Society for the Preservation of Bluegrass Music of America

These honors reflect the band’s strong standing within the bluegrass community and its recognition by industry peers. The group’s ability to balance technical excellence with audience engagement made it a standout act in a competitive field.

Touring, Performances, and Global Reach

TheExpeditionShow.com documents the band’s extensive touring history, which played a crucial role in building its fan base. The group performed across the United States and internationally, including tours in Japan and Canada.

Their performance schedule often included up to 100 shows per year, highlighting both their popularity and work ethic. They also appeared at prestigious venues and events, such as:

• The Ryman Auditorium’s “Bluegrass Nights”
• Major bluegrass festivals in the United States
• International concert tours

In addition to touring, the band hosted music festivals in Franklin, Kentucky, further contributing to the bluegrass community and creating platforms for other artists.

Website Structure and Content

As an official band website from the early 2010s, TheExpeditionShow.com followed a structure typical of the era. Key sections included:

• Band biography and member profiles
• Discography and album information
• Press releases and media coverage
• Tour dates and event announcements
• Multimedia content, including photos and videos

The site served as a central hub for fans seeking information about the band, long before social media platforms became the dominant means of artist promotion.

Today, the archived version of the site retains much of this content, offering a snapshot of how independent musicians presented themselves online during that period.

Press Coverage and Media Presence

The Expedition Show received coverage from a variety of bluegrass-focused media outlets and publications. Reviews often emphasized the band’s professionalism, musical skill, and ability to bridge traditional and contemporary styles.

Industry publications highlighted:

• The band’s strong vocal arrangements
• Their innovative yet respectful approach to bluegrass traditions
• The high production quality of their recordings

Radio play, particularly on SiriusXM, further amplified their reach, introducing their music to a wider audience beyond live performances.

Audience and Fan Engagement

The Expedition Show cultivated a diverse audience that included:

• Traditional bluegrass enthusiasts
• Fans of contemporary acoustic music
• Festival-goers and live music audiences
• International listeners exposed through touring and radio

Their emphasis on entertainment—rather than purely technical performance—helped them connect with audiences on a personal level. Humor, storytelling, and audience interaction were integral to their live shows, creating memorable experiences that encouraged repeat attendance.

Cultural and Social Significance

TheExpeditionShow.com reflects more than just the history of a single band; it represents a broader moment in the evolution of bluegrass music. During the early 21st century, bluegrass was undergoing a period of renewal, with artists exploring new sounds while maintaining traditional foundations.

The Expedition Show contributed to this movement by:

• Preserving classic bluegrass elements
• Introducing contemporary influences
• Engaging new audiences through accessible performances
• Supporting the community through festivals and collaborations

Their work illustrates how genre traditions can evolve without losing their core identity.

The Role of Archival Websites in Music History

One of the most compelling aspects of TheExpeditionShow.com is its role as an archival resource. As many early band websites have disappeared or been replaced by social media profiles, preserved sites like this offer valuable insights into:

• Artist branding and promotion strategies of the early 2010s
• The structure and content of independent music websites
• Historical documentation of bands that may no longer be actively touring

For researchers, fans, and music historians, such websites provide primary source material that complements recordings, reviews, and live performance accounts.

Legacy of The Expedition Show

Although the band is no longer as prominently active as it once was, its legacy endures through recordings, archived content, and the continued careers of its members.

Blake Williams remains a respected figure in bluegrass, while other members have pursued various musical and professional endeavors. Their collective contributions continue to influence both peers and emerging artists within the genre.

The Expedition Show’s emphasis on entertainment, originality, and musical excellence serves as a model for future bluegrass performers.

TheExpeditionShow.com is more than just a website—it is a preserved narrative of a band that played a meaningful role in modern bluegrass history. Through its archived content, the site offers a detailed look at the group’s music, achievements, and impact.

From its talented lineup and acclaimed recordings to its extensive touring and industry recognition, The Expedition Show exemplifies the qualities that define successful bluegrass acts. The website captures this legacy in a way that remains accessible and informative years after the band’s peak activity.

In an era where digital content is often fleeting, TheExpeditionShow.com stands as a testament to the enduring value of well-preserved online archives. It not only celebrates the achievements of a single band but also contributes to the broader documentation of bluegrass music’s ongoing evolution.